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Rabatz at the Cologne Theater: Fritsch's chaotic response to the crisis!
Herbert Fritsch directs “Rabatz!” at the Schauspiel Köln: an abstract theater piece in black, red and white, reactionary and courageous.
Rabatz at the Cologne Theater: Fritsch's chaotic response to the crisis!
On October 31, 2025, Schauspiel Köln celebrated its premiere with “Rabatz!”, the new production by Herbert Fritsch, marking his return to the Cologne stage after 13 years. Fritsch, known for his unconventional productions, unfolds an abstract theater piece that offers an exciting examination of the current crisis situation. The production is decorated in the dominant colors of black, red and white and has almost no words, giving it a unique, wordless pantomime aesthetic. The critics describe “Rabatz!” as a kind of childish romp that lovingly embraces chaotic elements through its staging. nachtkritik.de reports that ...
With seven characters on stage, all with white-painted faces, and a mysterious black cube reminiscent of various cultural symbols, the production captivates the audience. Dramaturg Sabine Zwach has confirmed that the play should be understood as a reaction to the political and ecological crises of our time. The ensemble, which also includes Jonas Dumke and Sebastian Grünewald, are actors and not trained mimes, which gives the play a charming informality. Fritsch's ability to transform language into music is a central element of his work, which is influenced by Dadaism. As schauspiel.koeln adds, Fritsch embodies a very special theatrical language that aims to explore the inexpressible and the limits of language.
A production far from the norm
The piece itself lasts 75 minutes without an intermission, and the applause order at the premiere was staged, resulting in a rather reserved reception. The title “Rabatz!” should be associated with synonyms such as riot, riot and tumult, which is already suggested in the name of the piece. Fritsch explains that the term “rabatzen” historically also includes meanings such as “bellows” and “romp around,” which he gave the ensemble as instructions. Overall, the production aims to play with language and dissolve it, which challenges and delights the viewer. With this production, Fritsch builds a bridge to a very unique theater world that is known for its creativity and daring. nachtkritik.de emphasizes that Fritsch's work makes an important contribution to the current theater scene.
The stage provides a fascinating backdrop that allows the audience to concentrate on the dynamics of what is happening. Fritsch, who is valued for his artistic vision and his ability to push the boundaries of theater, has sent a clear signal here: Current crises require a creative and conscious examination. “Rabatz!” will be remembered as an evening of theater that both stimulates thought and invites laughter, entirely in the spirit of Dadaism and the joy of playing and experimenting that has always characterized theater.