Monopoly in the Cologne cabaret: satire about power and money!

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The Nö Theater stages “Monopoly” in the Klüngelpütz cabaret, addressing social inequality and current critical issues. Performances: Sept. 12, 13, Oct. 31, 2025.

Das Nö Theater inszeniert „Monopoly“ im Kabarett Klüngelpütz, thematisiert soziale Ungleichheit und aktuelle kritische Themen. Aufführungen: 12., 13. Sept., 31. Okt. 2025.
The Nö Theater stages “Monopoly” in the Klüngelpütz cabaret, addressing social inequality and current critical issues. Performances: Sept. 12, 13, Oct. 31, 2025.

Monopoly in the Cologne cabaret: satire about power and money!

In Cologne, theater culture continues to be exciting once again. The Nö Theater presents the brand new production “Monopoly” in the Klüngelpütz cabaret. This will be brought to the stage on the performance dates of September 12th and 13th and October 31st, 2025. Directed by Janosch Roloff, the piece will offer a profound examination of the game of life by illuminating the essence of being in the constant struggle for land.

“Monopoly” is not just a humorous production, but also a critical reflection on current social issues. The piece addresses social inequality and highlights the dynamics between winners and losers. It also highlights the boldness that is rewarded while humility is often punished. To support this, the plot is presented as a multi-generational saga that makes viewers think.

A look at the past

What is particularly fascinating is the connection of the piece to the story of Elisabeth Magie, the developer of “The Landlord’s Game”. Considered a precursor to Monopoly, this game was patented back in 1904 to illustrate the teachings of economist Henry George. Magie's goal was to show the dangers of monopolistic land ownership. Ironically, the game that would become known as Monopoly was ultimately published by Parker Brothers in violation of a copyright law. Magic's influence on the board game community is impressively remembered in the production. Her invention was intended to raise awareness of social inequalities, and her legacy remains strong today.

The production of “Monopoly” not only takes on the dramatic elements, but also combines documentation, satire, protest song and drama. Current financial scandals and corruption affairs also find their place in this stimulating play. The combination of these elements not only entertains the audience, but also encourages them to think critically.

Social criticism through art forms

In the context of such artistic discussions, the topic of criticism of power should not be underestimated. Theater and film offer excellent platforms to address social differences and inequalities. An interesting event that contributes to this discourse is the cooperation between the Politics in Free Theater Festival and the LUCAS – International Film Festival for Young Film Fans. Here, school classes can explore the representation of social differences in art in more detail through discussions and critical analyses.

Projects like these make it clear how theater and film can not only entertain, but also stimulate social education and reflection. When Nö Theater combines such topics with “Monopoly,” it becomes clear that art is a powerful voice in our society. It can be educational and evocative, in keeping with Magie's original intention.

If you would like to experience an exciting evening full of critical reflection and emotional depth, you should save the dates of the Nö Theater in Klüngelpütz!

For more information about the Nö Theater and the productions, please visit Choices, you can find out more about Elizabeth Magie at Wikipedia, and offers an insight into the criticism of power in theater and film Federal Agency for Civic Education.